Special thanks to Brad Berens, Spencer Semonson, Stew Redwine, Giles Martin, James Ingrassia, Neal Lucey, Haley Wiese, Bianca Gorodinsky, Steven Abraham, and OXFORd Agents of Influence for making this possible! These luminaries have gone on record to share guidance on the key elements that separate success from failure in Audio as a marketing channel. Inside you’ll find key insights from active CAOs like Morgan (Ainsworth) Melvan at Indeed, Shane Pittson at quip., Corey Eng at Shopify, and Nicholas Karrat at Tommy John. It is with great pleasure that I offer to you our newest report, “Chief Audio Officer - The Champion Every Brand Needs to Win in Audio,” available to download for free here: No, we’ve never met anyone with that title, but we have worked with hundreds of successful marketing leaders over the years who, by dedication and focus, were able to unlock transformational results for their business. ![]() The difference usually depends on one role: The Chief Audio Officer who is committed and accountable for the channel. I also want to encourage you to check out the thought leadership of Miranda Romano on Tuesday at 5 pm, for her panel entitled: "What do the biggest performance buyers want?" and Kristen Duenas on Wednesday at 12:30 pm for her panel, “What are buyers looking for from the podcasting industry?”Įxcited to shut this conference down with you guys!Īs industry veterans will attest, Audio for brands is usually an afterthought or a secret weapon. Fellow Agents of Influence Gary Brown and Miranda Romano will also be making cameos, and we'll be around to talk to everyone as soon as that wraps up. If you are still around and can join, we'll look back on how the industry has evolved in the 10 Years since starting Oxford Road and share what brands have told us they need to continue growing in the channel for the ten years ahead. I'll arrive on Thursday for the end of the conference to present "Decade of Defiance" at 1:00, and do my best to hold it together! Thanks to Dan Franks and team for accomodating! Al-Hadid shares that she “was educated by modernist instructors in the Midwest, but also raised in an Islamic household with a culture that very much prizes narrative and folklore.” These references reflect her perspective as an immigrant from Syria who moved to Ohio when she was a child and form the core of her work.I'm dropping off my baby girl Gianna Granger at college next week, so will be coming late to Podcast Movement in Denver. She finds inspiration in diverse sources, such as ancient frescoes, Northern Renaissance art, Islamic miniatures, ancient time-telling devices, and the modern sculpture of Italian artist Medardo Rosso. While these works resemble eroded sculpture or historic ruin, the artist’s process is additive: she builds up layers of material, here polymer gypsum and fiberglass.Īl-Hadid’s influences come from architecture, antiquity, cosmology, and Old Master paintings. The organic plan of park walkways, distinctly opposed to the geometric grid of Manhattan streets, confirms Al-Hadid’s idea of delirium, or a restless excitement that grips individuals. ![]() ![]() Their synergy and the artist’s observation of the unexpected prompt the framework of Delirious Matter. In Diana Al-Hadid’s Delirious Matter, six female figures - the freestanding 14-feet high walls titled The Grotto and Gradiva a conical work, Citadel and three figures called Synonym - commune as they face the central Oval Lawn and form a kinship of women throughout the history of art and on site in the park.
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